(A) Warsaw. In the 32nd issue of Wiadomości Literackie, Bruno Schulz’s short story Father’s Last Escape is published.
(B) Warsaw. In the 30th issue of Tygodnik Ilustrowany Bruno Schulz’s critical essay At Belvedere is published.
(C) Warsaw. In the 32nd issue of Prosto z Mostu, Jerzy Andrzejewski’s review “Powieść o dzieciach ulicy” mentions Bruno Schulz.
(A) The story was illustrated by the author. Schulz included it in Sanatorium Under the Sign of the Hourglass* (1937) as the closing part. There are more than 50 differences between the magazine version and the book publication of the story, this time also resulting from the editorial work of Wiadomości Literackie*. In the book version, Schulz added a drawing of two naked women riding a carriage. This theme does not appear in the story. (sr) (transl. mw)
(B) This is a review of Juliusz Kaden-Bandrowski’s volume of journalistic and memoir drafts. Schulz compliments the drafts of the “word master” devoted to Józef Piłsudski, describing them as “a dictionary of contemporary national action, a list of creative historical forces”. (mw) (transl. mw)
(C) When reviewing the novel Dzieci Jana Brzozy (1936) of a member of the literary group “Przedmieście”, Andrzejewski notes that young Polish novelists such as Michał Choromański, Witold Gombrowicz, Adolf Rudnicki, Adam Ważyk, Stefan Flukowski and Bruno Schulz, draw attention mainly with their “values, and sometimes only artistic curiosities”. According to the journalist of Prosto z Mostu, Brzoza’s book “distances itself from this general attitude” and “touches primarily with the content”. (pls) (transl. mw)
