Warsaw. Zofia Nałkowska comments in her Diaries on Kazimierz Wyka’s and Stefan Napierski’s “Dwugłos o Schulzu”, published in Ateneum.
In issue 1 of 1939, Ateneum contains two articles about Schulz’s work by Kazimierz Wyka* and Stefan Napierski* respectively, under the collective title “Dwugłos o Schulzu”. This is a scathing attack on Schulz’s fiction, although – as Włodzimierz Bolecki* writes – “having separated the descriptive observations contained in it from interpretative theses, it can be concluded that both critics exceptionally accurately characterised the most important features of Schulz’s poetics”1. Wyka and Napierski accused Schulz of anti-humanism and anti-realism, for a lack of hierarchy, a fascination with inhuman time, and with marginals. Napierski writes: “The specific world of imaginations of an epigone such as Schulz is characterized by arbitrariness and defectiveness; this delusion is backed by style stilts: instead of stories, he writes treatises of an artsy dreamer”2.
Zofia Nałkowska* writes with indignation3 in her Diaries about the articles of Wyka and Napierski: “The unheard-of assault of Wyka and Napierski in Ateneum on Schulz as a cripple and defective, I believe to be a very bad symptom”4. Nałkowska places “Dwugłos o Schulzu” among other events that aggravate her sense of alienation: the harsh criticism of her adaptation of Mrs Bovary, and the disputes around the Academy of Independents Award5, offered by the editorial staff of Wiadomości Literackie*. (mr) (transl. mw)
See also 15 April 1934*.